In 1983, Hernandez started
Writing and
Drawing short stories in Love and Rockets about a little central American town called Palomar and the interconnected lives of its inhabitants. The "Heartbreak Soup" stories, as they were called, established his reputation, and this mammoth, hugely compelling book collects the first 13 years' worth of them. The earliest stories in the book owe more to magical realism and Gabriel Garcia Marquez than to anything that had been done in comics before. But in later pieces, like the harrowing "Human Diastrophism" and "Luba Conquers the World," Hernandez's style is entirely his own: brutally telegraphic (he can capture an entire emotionally complex scene in a single panel, then imply even more by abruptly cutting to the middle of a later scene), loaded with insight about the bumpy terrain of familial and sexual relationships, swinging wildly in tone between suffocating darkness and sunny charm. His characters have enormous, tangled family trees, and he gradually unfolds their histories: there are some plot developments he sets up a decade or more in advance. And for all the bold roughness of his
Drawing style, Hernandez is a master of facial expression and body language. He tracks dozens of characters across decades of their lives, and their ages and their distant family resemblances are instantly recognizable, as are their all too human dreams and failings. This is a superb introduction to the work of an extraordinary, eccentric and very literary cartoonist.
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Reader ReviewsPalomar is just shy of being an offbeat spot on your tourist map. Gilbert Hernandez, who created the Love & Rockets universe with brother Jaime, has focused much of his attention on this small Latin American town and its people, and over the years it has grown into a living, breathing town. Now, the many tales of Palomar have been collected by Fantagraphics in a new hardback edition that brings its simple joys and tragedies together. The stories aren't always linear, and characters gain solidity as Gilbert leaps back and forth in the timeline, introducing some as children, some as adults, and filling in various romances, breakups and acts of violence along the way. Key friendships hold firm from start to finish, and it's fascinating to watch them evolve as some characters go their separate ways and others grow closer than ever. Gilbert's black-and-white art is crisp, clean and realistic. His people are believable; some are beautiful, some ugly, others average -- like those you'd find in any town. Their personalities are also highly defined, and it's fun to see them change as the years roll along.
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